I direct with emotion first — everything else follows.
For me, directing is about capturing truth — even when it's stylized. Whether I’m working on a narrative short, a commercial, or a music video, I’m always searching for moments that feel lived-in. I build spaces where actors can be present, and visuals can breathe.
My goal isn’t perfection — it’s resonance.
Here are some of the stories I’ve had the privilege to shape from the ground up — as a director, a guide, and a believer in the emotional weight of images.
Eugene's new film, Keep My Worlds Forever, is a poetic fairy tale told through the lens of magical realism. After the sudden loss of her close friend Danny, Genevieve is consumed by grief and longing. Her search for connection leads her to Ishtar, a mysterious medium who offers a path to the underworld—if they can reach Charon, the elusive ferryman between worlds.
Infused with the haunting beauty of Marina Tsvetaeva’s poetry, the film weaves together myth, memory, and mourning to explore the lengths one might go to say goodbye. It is a quiet meditation on love, loss, and the unseen threads that bind us across realms.
I see cinematography as quiet storytelling.
I’m drawn to elaborate and emotive lighting, unexpected frames, and textures that evoke memory. As a DP, I collaborate closely with directors to build a visual language that doesn’t just illustrate the story — it deepens it. Every shot is a mood, every camera move a rhythm.
I like it when the image makes you feel before you even know why.
These are just some of the visual narratives I helped bring to life — where light, texture, and timing became language.
I believe editing is where the soul of the story emerges.
This is where I slow down and listen — to rhythm, silence, and what’s left unsaid. Whether I’m cutting branded content or a personal film, I shape with instinct and care. Good editing, to me, is invisible until it’s unforgettable. It holds everything together — tone, time, truth.
Here are some of the stories I’ve had the privilege to shape from the ground up — as a director, a guide, and a believer in the emotional weight of images.
Below is a selection of edited works — where I shaped rhythm, energy, and emotion to find the story’s true pulse.